Pre-Raphaelites: Victorian Art and Design, 1848-1900
John Everett Millais, Christ in the House of His Parents (The Carpenter's Shop), 1849-1850, oil on canvas, 86.4 x 139.7 cm (34 x 55 in.) framed: 159 x 187.3 x 141 cm (62 5/8 x 73 3/4 x 55 1/2 in.), Tate. Purchased with assistance from the Art Fund and various subscribers 1921
Dante Gabriel Rossetti, Ecce Ancilla Domini! [The Annunciation], 1849-1850, oil on canvas, mounted on panel, 73.7 x 41.9 cm (29 x 16 1/2 in.) framed: 100.2 x 69.8 x 8.8 cm (39 7/16 x 27 1/2 x 3 7/16 in.), Tate. Purchased 1886
William Holman Hunt, Valentine Rescuing Sylvia from Proteus -- Two Gentlemen of Verona (Act V, Scene iv), 1850 -1851, oil on canvas, 98.5 x 133.3 cm (38 3/4 x 52 1/2 in.) framed: 131.5 x 164.5 x 11 cm (51 3/4 x 64 3/4 x 4 5/16 in.), Birmingham Museums and Art Gallery, Purchased 1887
Henry Wallis, Chatterton, c. 1855-1856, oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in.) framed: 90.5 x 120.5 x 13.2 cm (35 5/8 x 47 7/16 x 5 3/16 in.), Tate Gallery, London. Bequeathed by Charles Gent Clement 1899
John Everett Millais, The Order of Release, 1746, 1852-1853, oil on canvas, 102.9 x 73.7 cm (40 1/2 x 29 in.) framed: 150.5 x 121 x 12.5 cm (59 1/4 x 47 5/8 x 4 15/16 in.), Tate. Presented by Sir Henry Tate 1898
Alexander Munro, Paolo and Francesca, 1852, marble, 66 x 67.5 x 53 cm (26 x 26 5/8 x 20 7/8 in.), Birmingham Museums and Art Gallery, Purchased 1960
John Everett Millais, Ophelia, 1851-1852, oil on canvas, 76.2 x 111.8 cm (30 x 44 in.), Tate. Presented by Sir Henry Tate 1894
John Everett Millais, Mariana, 1850-1851, oil on mahogany, 59.7 x 49.5 x 1.5 cm (23 1/2 x 19 1/2 x 9/16 in.) framed: 87.6 x 76.7 x 5.5 cm (34 1/2 x 30 3/16 x 2 3/16 in.), Tate. Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1999
Dante Gabriel Rossetti, The Wedding of St. George and Princess Sabra, 1857, watercolor on paper, 36.5 x 36.5 cm (14 3/8 x 14 3/8 in.), Tate. Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG, through the Art Fund 1916
William Morris, La Belle Iseult, 1857-1858, oil on canvas, 71.8 x 50.2 cm (28 1/4 x 19 3/4 in.) framed: 96 x 75.5 x 6.1 cm (37 13/16 x 29 3/4 x 2 3/8 in.), Tate. Bequeathed by Miss May Morris 1939
William Holman Hunt, The Light of the World, 1851-1856, oil on canvas, 49.8 x 21.6 cm (19 5/8 x 8 1/2 in.), Manchester City Galleries
William Holman Hunt, The Awakening Conscience, 1853-1854, oil on canvas, 76.2 x 55.9 cm (30 x 22 in.) framed: 106 x 85.7 x 9.7 cm (41 3/4 x 33 3/4 x 3 13/16 in.), Tate. Presented by Sir Colin and Lady Anderson through the Friends of the Tate Gallery 1976
Dante Gabriel Rossetti, Found, begun 1859, oil on canvas, 88.9 x 76.2 cm (35 x 30 in.) framed: 128.3 x 116.8 x 7.6 cm (50 1/2 x 46 x 3 in.), Delaware Art Museum, Wilmington, DE. Samuel and Mary R. Bancroft Memorial, 1935
Ford Madox Brown, Work, 1863, oil on canvas, 68.4 x 99 cm (26 15/16 x 39 in.) framed: 99.5 x 130 x 9.5 cm (39 3/16 x 51 3/16 x 3 3/4 in.), Birmingham Museums and Art Gallery. Bequeathed by James Richardson Holliday, 1927
John Everett Millais, The Blind Girl, 1856, oil on canvas, 80.8 x 53.4 cm (31 13/16 x 21 in.) framed: 111 x 84.5 x 10 cm (43 11/16 x 33 1/4 x 3 15/16 in.), Birmingham Museums and Art Gallery. Presented by the Rt Hon William Kendrick, 1892
Ford Madox Brown, An English Autumn Afternoon, Hampstead – Scenery in 1853, 1854, oil on canvas, overall (oval): 71.8 x 134.6 cm (28 1/4 x 53 in.) framed: 110.5 x 173.5 x 12 cm (43 1/2 x 68 5/16 x 4 3/4 in.), Birmingham Museums and Art Gallery, Presented by the Public Picture Gallery Fund, 1916
John Brett, Glacier at Rosenlaui, 1856, oil on canvas, 44.5 x 41.9 cm (17 1/2 x 16 1/2 in.), Tate. Purchased 1946
Alexander Munro, Young Romilly, c. 1863, marble, 97 x 35 x 60 cm (38 3/16 x 13 3/4 x 23 5/8 in.), Scottish National Gallery, Edinburgh, Purchased 1993
Dante Gabriel Rossetti, Bocca Baciata, 1859, oil on panel, 32.1 x 27 cm (12 5/8 x 10 5/8 in.), Museum of Fine Arts, Boston, Gift of James Lawrence
Julia Margaret Cameron, The Mountain Nymph, Sweet Liberty, June 1866, albumen print from collodion negative, New Century Fund, 1997.97.1
Dante Gabriel Rossetti, Lady Lilith, 1828 - 1882, oil on canvas, 96.5 x 85.1 cm (38 x 33 1/2 in.) framed: 134.6 x 121.9 x 7 cm (53 x 48 x 2 3/4 in.), Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935
Dante Gabriel Rossetti, Beata Beatrix, c. 1864-1870, oil on canvas, 86.4 x 66 cm (34 x 26 in.), Tate. Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889
William Holman Hunt, Isabella and The Pot of Basil, 1866-1868, retouched 1886, oil on canvas, 186.7 x 115.6 cm (73 1/2 x 45 1/2 in.), Laing Art Gallery, Newcastle upon Tyne
Designed by Sir Edward Coley Burne-Jones, William Morris, and John Henry Dearle, The Arming and Departure of the Knights of the Round Table on the Quest for the Holy Grail, 1890-1894, tapestry woven in wool and silk on a cotton warp, 240 x 347 cm (94 1/2 x 136 5/8 in.), Collection of Jimmy Page, courtesy of Paul Reeves London
William Morris, Design for Tulip and Willow printed textile, 1873-1875, pencil, watercolor, and bodycolor, 114.3 x 94 cm (45 x 37 in.) framed: 120.3 x 100.6 x 3.3 cm (47 3/8 x 39 5/8 x 1 5/16 in.), Birmingham Museums and Art Gallery. Purchased from Morris & Co. through the Friends of BMAG, 1940
Edward Fitzgerald, Rubaiyat of Omar Khayyam, 16 October 1872, ink, watercolor and gilding on vellum, open: 13.5 x 23.5 cm (5 5/16 x 9 1/4 in.), The British Library, London
Edward Burne-Jones, Laus Veneris, 1873-1878, oil on canvas, 121.9 x 182.9 cm (48 x 72 in.) framed: 154 x 216 x 7 cm (60 5/8 x 85 1/16 x 2 3/4 in.), Laing Art Gallery, Newcastle upon Tyne
Edward Burne-Jones, The Doom Fulfilled, 1885-1888, oil on canvas, 154.9 x 140.3 cm (61 x 55 1/4 in.), Staatsgalerie Stuttgart
William Holman Hunt, The Lady of Shalott, 1888-1905, oil on canvas, 188.28 x 146.37 cm (74 1/8 x 57 5/8 in.) framed: 260.35 x 207.65 x 20.32 cm (102 1/2 x 81 3/4 x 8 in.), Wadsworth Atheneum, Hartford, Connecticut. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

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