Members’ Reports

Artists’ Books of the Harlem Renaissance

Rome in Translation: Cultural Brokerage in 16th-Century Italy

“On Fieldwork”

Modern Art and the Black Anthological

Roman Portraiture: A Media Archaeology

Shared Surface: The Wall in Postwar Sculpture and Architecture

Creating the Mughal Temple: Architecture, Innovation, and Archaism (1590–1700)

Monet’s Minutes: Impressionism and the Industrialization of Time

Border Regimes: European Portraiture and Ottoman Modernity, 1789–1841

Visualizing and Hearing Separatist Aesthetics in Contemporary Black Art and Music

Chinese Export Silverwares, Foreign Coins, and Incarnations of Value: The Global Economy and Its Materials, 1682–1842

Unbearable Witness: Bodily Loss in the German-Speaking Lands during the Era of Reform (c. 1500–1650)

A History of Mexico through Histories of “the Conquest”: The Lienzo de Tlaxcala Remade, 1552–2012

Patterns of Permanence: African Methodist Episcopal Architecture and Visual Culture

Marie-Suzanne Giroust: The Forgotten Académicienne

Bronzino’s Bodies and Mannerism’s Masks

Art of Changes: Material Imagination in Early China, c. Third to First Century BCE

Architecture and Mobility in Italian Africa during the Fascist Era

Art, Civility, and Religion in the Amazon Margins

Diasporic Art in the Age of Black Power

The Sacred and the Market: Reliquaries and Urbanism in Medieval Cologne

Margin, Surface, Depth: Picturing the Contours of the Marine in 19th-Century America

Black Artists in the New York Scene: Acts of Art and Cinque Galleries, 1969–1975

Engineering Habitat: Reconstruction, Decolonization, and the Atelier des Bâtisseurs, 1945–1962

The Politics of Death: A Social History of Renaissance Portuguese Tomb Sculpture

Hidden in Plain Sight: Slavery and Concealment in Antebellum American Art

Black Conceptual Practice, 1970–1985

Graven Images: The Unsettled Lives of Public Monuments

The Body of Work: The Practice and Politics of Life Drawing in Latin American Academies of Art

The Subject of Painting: James Bishop and Tel Quel

Trecento Pictoriality: Diagrammatic Painting in the Age of Giotto